Allen & Heath Avantis | 64 Channels Digital Mixer

Professional 64-channel digital mixing console with flagship dLive technology, dual 15.6″ HD touchscreens, and 96kHz FPGA processing. Perfect for churches, theaters, touring, and venues seeking powerful performance in a compact, intuitive design.

Allen-and-heath-Avantis-64-channel-digital-mixing-console
Allen & Heath Avantis | 64 Channels Digital Mixer

Flagship Performance in a Compact Professional Console

The Allen & Heath Avantis digital mixer delivers game-changing performance for live sound engineers who’ve outgrown entry-level consoles but don’t need the investment of a full-size flagship system. Built on the same proven 96kHz XCVI FPGA engine that powers Allen & Heath’s acclaimed dLive series, this 64-channel/42-bus mixing platform brings true professional-grade processing to medium-format venues, houses of worship, corporate events, and touring applications.

Intuitive Workflow Meets Powerful Processing

What makes Avantis revolutionary is its Continuity UI – a seamless integration of dual 15.6″ full HD touchscreens with physical controls that dramatically accelerates your workflow. The innovative interface lets you customize everything: arrange your 24 faders across 6 fully customizable layers to match your exact show needs, placing vocals next to each other even if they’re on channels 5, 19, and 47. This flexibility transforms complex 64-channel productions into streamlined, logical layouts that anyone can understand.

Engineers consistently praise the ultra-responsive capacitive touchscreens with gesture control – pinch, swipe, and drag your way through processing with the same intuitive feel as your smartphone. Two operators can work simultaneously, with one engineer adjusting EQ while another manages routing, making setup and soundcheck remarkably efficient.

Professional Sound Quality Without Compromise

At the heart of Avantis is exceptional audio performance: 96kHz processing with an incredibly low 0.7ms latency ensures phase-coherent, crystal-clear sound. The 12 onboard XLR inputs feature clean, detailed preamps, while the fully configurable 42-bus architecture gives you unlimited routing flexibility for mains, monitors, matrices, subgroups – configured exactly how you need them.

The console includes 12 RackExtra FX slots with studio-quality reverbs, delays, and modulation effects modeled after legendary outboard gear. Want more? The optional dPack upgrade unlocks acclaimed dLive processing including 16 Dyn8 multiband dynamics processors, zero-latency DEEP compressor emulations (1176, LA-2A, Fairchild, SSL bus comp), and Dual-Stage Valve preamp modeling – tools previously reserved for six-figure touring consoles.

Expandability That Grows With Your Needs

Avantis excels at system integration through Allen & Heath’s “Everything I/O” ecosystem. The SLink port connects to the full range of stage boxes and remote expanders, including the popular GX4816 (48 inputs/16 outputs). Two additional I/O card slots accommodate Dante (64×64 or 128×128), Waves SoundGrid, MADI, gigaACE, and more – enabling FOH/monitor splits, multitrack recording, and networked audio systems.

This expandability makes Avantis ideal for growing organizations: start with the console and local I/O, then add stage boxes and network cards as your production needs evolve. Show files are fully compatible with the compact Avantis Solo, providing seamless scalability for different venue sizes.

Remote Control and Personal Monitoring

Modern productions demand flexibility, and Avantis delivers with comprehensive wireless control. The Avantis Director software enables offline editing and online control from Windows or Mac. MixPad gives you full wireless mixing from anywhere in the venue via iPad. OneMix allows performers to control their own monitor mixes without affecting FOH. The console also supports up to 48 IP remote controllers over standard network connections.

Built for Real-World Reliability

Housed in a stunning full-metal chassis with tubular frame inspired by superbike design, Avantis combines light weight with exceptional durability for touring and permanent installations. The 24 assignable SoftKeys and user-configurable rotary controls accelerate common tasks, while the 16 DCAs provide elegant mix management for complex productions.

Who This Console Is Perfect For

Avantis shines for organizations and engineers who need professional capability without the complexity or cost of flagship systems. Churches transitioning from analog or entry-level digital consoles find the learning curve remarkably gentle while gaining studio-grade processing. Theater productions benefit from sophisticated scene management and custom layer arrangements. Corporate AV teams appreciate the reliability and quick setup. Touring engineers on fly dates find it’s increasingly rider-friendly and delivers the sound quality artists demand.

With Shure and Sennheiser RF integration, comprehensive metering including a 61-band RTA, automatic mic mixing for up to 64 channels, and word clock synchronization, Avantis provides every tool modern engineers need to deliver exceptional sound – all in an approachable, beautifully designed package that encourages creativity rather than technical frustration.

Key Features

  • 64 Input Channels / 42 Configurable Buses – Powerful routing flexibility with fully assignable mix architecture for mains, monitors, matrices, and effects sends tailored to your exact production needs
  • Dual 15.6″ Full HD Touchscreens with Continuity UI – Industry-leading workflow with gesture control, drag-and-drop functionality, and simultaneous two-operator capability for faster setup and mixing
  • 96kHz XCVI FPGA Processing with 0.7ms Latency – Flagship dLive technology delivers phase-coherent, crystal-clear audio quality with real-time processing that’s virtually instantaneous
  • 24 Motorized Faders with 6 Fully Customizable Layers – Arrange your 144 fader strips however you need them – group channels logically regardless of input numbers for intuitive mixing control
  • Optional dPack Processing Upgrade – Add 16 Dyn8 multiband dynamics engines, zero-latency DEEP compressor emulations (1176, LA-2A, Fairchild), and Dual-Stage Valve preamp modeling
  • Everything I/O Ecosystem Compatibility – SLink port connects to complete range of Allen & Heath stage boxes plus two I/O card slots for Dante (128×128), Waves, MADI, gigaACE expansion
  • 12 RackExtra FX Slots with Dedicated Returns – Studio-quality effects including pristine reverbs, detailed delays, and classic modulation based on legendary outboard gear emulations
  • Comprehensive Wireless Control Options – Avantis Director software, MixPad app for engineer control, OneMix for personal monitor mixing, plus support for up to 48 IP remote controllers
  • 16 DCAs and Advanced Scene Management – Elegant mix control with comprehensive snapshot recall, scene list management, and sophisticated cue handling perfect for theater and multi-band shows
  • Professional I/O and Integration Features – 12 XLR analog inputs/outputs, AES digital I/O, word clock, Shure/Sennheiser RF integration, 61-band RTA, and automatic mic mixing for up to 64 channels

Tech Specs

Processing & Architecture

  • Processing: 96kHz XCVI FPGA engine with 0.7ms latency
  • Input Channels: 64 mono input channels
  • Mix Buses: 42 fully configurable buses (any combination of mains, aux, matrix, subgroups)
  • Control Channels: 72 fader strips total (12 faders × 6 layers)
  • FX Returns: 12 stereo RackExtra FX returns
  • DCAs: 16 digitally controlled amplifiers
  • Processing: 4-band fully parametric EQ, dynamics, delay on all channels

Control Surface

  • Faders: 12 motorized 100mm faders
  • Fader Layers: 6 fully customizable layers
  • Touchscreen: Single 15.6″ Full HD (1080p) capacitive touchscreen
  • SoftKeys: 18 assignable SoftKeys
  • Rotary Controls: User-configurable Touch & Turn encoder plus three Fast Grab Tab rotaries
  • Metering: Comprehensive channel metering plus 61-band RTA with 5m, 15m, 60m history views
  • Strip Rotary Modes: 6 modes (3 factory-set: Gain, Pan, Sends / 3 user-definable)

Local Connectivity

  • Analog Inputs: 6 XLR mic/line combo inputs with preamps
  • Analog Outputs: 6 XLR line outputs
  • Digital I/O: 1 stereo AES input / 1 stereo AES output
  • I/O Card Slots: 2 slots for optional cards (Dante 64×64, Dante 128×128, Waves SoundGrid V3, MADI, gigaACE, superMADI, fiberACE)
  • SLink Port: For Allen & Heath 96kHz stage boxes (GX4816, DX32, DX168, DX164-W, DT168, AB168) and ME personal monitoring
  • Network: Ethernet port for remote control and IP controllers (up to 48 devices)
  • Word Clock: BNC input/output for synchronization
  • USB: Type A for firmware updates and show file backup

Effects & Processing

  • Onboard FX: 12 RackExtra FX slots with dedicated stereo returns
  • FX Types: Reverbs (hall, plate, room, spring), delays, chorus, flanger, phaser, pitch effects
  • FX Models: Based on legendary hardware including Roland RE201 Space Echo, Dimension D, AMS RMS16, Electro-Harmonix Electric Mistress
  • AMM: Automatic Mic Mixer for up to 64 channels across up to 4 zones
  • Optional dPack: 16 Dyn8 multiband dynamics engines, DEEP compressors/expanders, Dual-Stage Valve preamp with multiple distortion modes

Remote Control & Software

  • Offline Editor: Avantis Director (Windows/Mac) for show file editing and online control
  • Mixing Apps: MixPad (full engineer control), OneMix (single aux control), 4You (personal mixing app)
  • IP Controllers: Support for IP1, IP6, IP8 wired controllers and GPIO interface
  • Custom Control: Customizable control app for creating bespoke user interfaces
  • MIDI: MIDI over TCP/IP for DAW control and external device integration
  • Recording: Compatible with Harrison LiveTrax multitrack recording software

Scene & Show Management

  • Scene Storage: Comprehensive scene library with instant recall
  • Auto Tracking: Update parameters across multiple scenes simultaneously
  • Cue Lists: Reorderable cue lists with multiple versions for different shows
  • Ganging: 16 gangs with options for trim, filter, gate, compressor, delay, fader, mute, pan, routing
  • Safes: Channel and parameter safes for scene recall protection

Physical Specifications

  • Construction: Lightweight alloy shell with tubular frame
  • Dimensions: Approximately 50% smaller footprint than dual-screen Avantis
  • Weight: Significantly lighter than dual-screen model for portable applications
  • Power: 100-240V AC, 50-60Hz universal auto-switching power supply
  • Thermal Management: Quiet fan operation suitable for broadcast and recording environments

Integration & Compatibility

  • Show File Compatibility: Fully compatible with dual-screen Avantis – files transfer seamlessly between models
  • Stage Box Compatibility: GX4816, DX32, DX168, DX164-W, DT168, DT164-W, AB168 (96kHz stage boxes)
  • Network Protocols: Dante (with optional card), Waves SoundGrid V3 (with optional card), AES50 via SLink
  • RF Integration: Direct control of Shure QLXD and Sennheiser wireless microphone systems
  • Personal Monitoring: Compatible with Allen & Heath ME personal monitoring system via SLink or DX connection

Additional Features

  • Boot Time: Approximately 40 seconds to full operation
  • Preamp Library: DEEP preamp modeling including Tube Stage for valve circuit characteristics
  • Output Processing: PEQ, 28-band graphic EQ, compression, delay on all mix buses
  • Matrix Mixes: Flexible matrix configuration for zone mixing and distributed audio
  • User Profiles: Multiple user accounts with customizable permissions and layouts

Q&A

Q: What’s the difference between Avantis and Avantis Solo? A: Both consoles share the identical 64-channel/42-bus 96kHz mixing engine. The Avantis features dual 15.6″ touchscreens and 24 faders, while the Solo has a single 15.6″ touchscreen and 12 faders. The Avantis includes 12 XLR inputs/outputs locally, while the Solo has 6. Both offer the same processing power, expandability, and show file compatibility.

Q: Can I upgrade an Avantis with dLive processing? A: Yes! The optional dPack upgrade adds acclaimed dLive processing including 16 Dyn8 multiband dynamics engines, zero-latency DEEP compressor and expander emulations (1176, LA-2A, Fairchild, SSL, dbx, Valley People), and Dual-Stage Valve preamp modeling. The dPack transforms the console’s processing capabilities to match flagship systems.

Q: What stage boxes work with Avantis? A: Avantis connects via SLink to Allen & Heath’s complete “Everything I/O” ecosystem including GX4816 (48×16), DX32 (32 in), DX168 (16×8), DX164-W (wireless), DT168 (16×8 Dante), and AB168. The two I/O card slots also support Dante 64×64 or 128×128 cards for connection to any Dante-compatible devices.

Q: Is Avantis suitable for churches transitioning from analog? A: Absolutely. Churches consistently praise Avantis for its intuitive workflow and customizable layers that simplify complex mixes. The ability to arrange channels logically (grouping all vocals together regardless of input numbers) makes volunteer training much easier. Scene recall eliminates the need to reset for different services.

Q: Can two engineers work on Avantis simultaneously? A: Yes! The dual touchscreens operate independently, allowing one engineer to handle EQ and dynamics while another manages routing or effects. This simultaneous control dramatically speeds up setup and soundcheck, especially valuable for complex productions or training scenarios.

Q: What’s the latency on Avantis? A: The XCVI FPGA engine delivers an incredibly low 0.7ms latency, making it essentially imperceptible. This ultra-low latency is maintained even at 96kHz operation, ensuring phase-coherent audio perfect for IEM monitoring and pristine FOH sound.

Q: Can Avantis record multitrack audio? A: Yes, through several methods: via Dante card to any Dante recording device, via Waves card to Waves MultiRack/SoundGrid, or using Harrison LiveTrax software for direct multitrack recording. The console’s extensive routing options support virtual soundcheck and redundant recording setups.

Q: How does Avantis compare to the M32? A: Avantis offers more modern architecture with 96kHz processing (vs. 48kHz), more configurable buses (42 vs. 25), dual HD touchscreens vs. single smaller screen, fully customizable layers, and more expansion options. The M32 features Midas PRO preamps with characteristic warmth. Avantis is more flexible; M32 offers that signature Midas sound at a lower price point.

Q: What’s included with the Avantis purchase? A: The console includes powerful onboard processing, 12 RackExtra FX slots, Avantis Director software (Windows/Mac), comprehensive remote control apps (MixPad, OneMix, 4You), and full documentation. The optional dPack and stage boxes/I/O cards are purchased separately based on your specific needs.

Q: Is remote mixing reliable for live productions? A: Yes. The MixPad app provides rock-solid wireless control via standard WiFi networks. Many engineers use iPads for walk-the-room mixing, monitor adjustment from stage, and real-time tuning during performances. The connection is stable and responsive with properly configured networks.