Allen & Heath Avantis Solo | 64 Channels Digital Mixer

The Allen & Heath Avantis Solo delivers 64 channels and 96kHz processing in a compact design perfect for space-conscious churches. This digital mixing console features dual touchscreens, network audio integration, and professional effects. Flagship performance without requiring massive console footprints. Order your Avantis Solo today.

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Allen & Heath Avantis Solo | 64 Channels Digital Mixer

Allen & Heath Avantis Solo Delivers 64-Channel Mixing Power in Compact Design

The Allen & Heath Avantis Solo provides 64 input channels and professional 96kHz processing in a compact console design. Moreover, this digital mixing console features dual touchscreen control and comprehensive built-in effects for complete flexibility. Additionally, the space-saving footprint makes it perfect for churches with limited front-of-house areas. Furthermore, sound engineers consistently report feeling excited after discovering this console delivers flagship performance without requiring massive spaces.

Dual Touchscreens Transform Workflow Efficiency for Live Sound Engineers

Traditional mixers force operators to navigate through endless menus to access basic functions, wasting valuable time during services. However, the Allen & Heath Avantis Solo digital mixer features dual 12-inch touchscreens providing simultaneous access to multiple functions. Consequently, you control EQ on one screen while adjusting effects on the other, dramatically improving workflow efficiency. Indeed, users describe how dual touchscreens solved their frustration with single-screen mixers that slowed down their mixing process.

Professional 96kHz Processing Delivers Superior Audio Quality Throughout Your System

Many digital mixers process audio at lower sample rates, compromising clarity and definition in your final mix. Conversely, the Avantis Solo compact mixing console operates at 96kHz throughout the entire signal path without compromise. Subsequently, vocals sound clearer, instruments retain natural character, and overall transparency increases noticeably compared to standard mixers. Meanwhile, the DEEP processing suite includes studio-grade effects, dynamic EQ, and sophisticated compression tools previously unavailable in compact formats.

Compact Footprint Solves Space Constraints Without Sacrificing Professional Features

Large mixing consoles dominate front-of-house areas, blocking sightlines and consuming valuable space in worship environments and venues. Fortunately, the Allen & Heath Avantis Solo features a compact design that fits smaller spaces while delivering 64-channel capability. Thus, churches with limited room appreciate the space-saving footprint that doesn’t compromise professional mixing power. Additionally, the streamlined control surface reduces the intimidation factor for volunteers learning to operate the system.

Network Audio Integration Simplifies Complex Installation Requirements Dramatically

Installing traditional audio systems requires hundreds of feet of analog cabling, creating messy stage areas and signal degradation. However, this Avantis Solo digital mixing console supports comprehensive network audio protocols including Dante and other standards. Consequently, you run dozens of channels through single ethernet cables, dramatically simplifying installations and reducing ongoing maintenance. Moreover, digital integration enables seamless connection to broadcast systems and multitrack recording setups without complicated routing.

Intuitive Operation Makes Professional Mixing Accessible to All Skill Levels

Complex digital mixers often overwhelm volunteers with confusing workflows and buried functions that create stress during services. Conversely, the Allen & Heath Avantis Solo digital console features logical navigation and clear visual feedback on dual touchscreens. Subsequently, church sound teams report volunteers feeling capable after reasonable training periods, reducing dependency on experienced operators. Furthermore, scene recall functionality ensures consistent results regardless of who operates the console each week.

What’s Included in the Box?

  • Allen & Heath Avantis Solo digital mixing console
  • Power supply cable with IEC connection
  • Quick start guide and comprehensive documentation
  • Avantis Director offline editing software for Mac and Windows
  • AHM personal monitor mixing app for musicians
  • USB cable for direct computer connection

Key Features

  • Full 64-Channel/42-Bus Architecture in Compact Design – Complete Avantis mixing engine with identical 96kHz processing and 0.7ms latency in a portable footprint that’s half the size of the dual-screen model
  • Massive 15.6″ Full HD Touchscreen with Continuity UI – Laptop-sized capacitive display delivers professional control with gesture support, drag-and-drop functionality, and incredibly responsive touch response for fluid mixing workflow
  • 12 Motorized Faders with 6 Customizable Layers – 72 total fader strips provide complete control over your mix with fully customizable layer arrangements that adapt to any production requirement
  • Same Premium dLive Processing as Flagship Systems – Identical XCVI FPGA core and dLive S Class preamps deliver the audio quality and processing power of consoles costing many times more
  • Optional dPack for Pro-Level Dynamics and Modeling – Add 16 Dyn8 multiband processors, zero-latency DEEP compressor/expander emulations (1176, SSL, dbx, Valley People), and Dual-Stage Valve preamp coloration
  • Comprehensive I/O Expansion Capability – Two card slots for Dante (128×128), Waves SoundGrid, MADI, gigaACE plus SLink port for complete Allen & Heath stage box ecosystem compatibility
  • 12 Studio-Quality RackExtra FX Slots – Professional effects including pristine reverbs, detailed delays, and classic modulation based on legendary hardware emulations with dedicated stereo returns
  • Advanced Scene and Show Management – Innovative Auto Tracking feature updates parameters across multiple scenes simultaneously, plus flexible cue list management perfect for theater and multi-band productions
  • Complete Wireless Control Ecosystem – Avantis Director software, MixPad app for engineer control, OneMix for personal monitoring, Custom Control app, plus support for up to 48 IP controllers
  • Professional Touring Build Quality – Lightweight alloy chassis with tubular frame design delivers road-ready durability in a package compact enough to fit in a small car boot

Tech Specs

Processing & Architecture

  • Processing: 96kHz XCVI FPGA engine with 0.7ms latency
  • Input Channels: 64 mono input channels
  • Mix Buses: 42 fully configurable buses (any combination of mains, aux, matrix, subgroups)
  • Control Channels: 72 fader strips total (12 faders × 6 layers)
  • FX Returns: 12 stereo RackExtra FX returns
  • DCAs: 16 digitally controlled amplifiers
  • Processing: 4-band fully parametric EQ, dynamics, delay on all channels

Control Surface

  • Faders: 12 motorized 100mm faders
  • Fader Layers: 6 fully customizable layers
  • Touchscreen: Single 15.6″ Full HD (1080p) capacitive touchscreen
  • SoftKeys: 18 assignable SoftKeys
  • Rotary Controls: User-configurable Touch & Turn encoder plus three Fast Grab Tab rotaries
  • Metering: Comprehensive channel metering plus 61-band RTA with 5m, 15m, 60m history views
  • Strip Rotary Modes: 6 modes (3 factory-set: Gain, Pan, Sends / 3 user-definable)

Local Connectivity

  • Analog Inputs: 6 XLR mic/line combo inputs with preamps
  • Analog Outputs: 6 XLR line outputs
  • Digital I/O: 1 stereo AES input / 1 stereo AES output
  • I/O Card Slots: 2 slots for optional cards (Dante 64×64, Dante 128×128, Waves SoundGrid V3, MADI, gigaACE, superMADI, fiberACE)
  • SLink Port: For Allen & Heath 96kHz stage boxes (GX4816, DX32, DX168, DX164-W, DT168, AB168) and ME personal monitoring
  • Network: Ethernet port for remote control and IP controllers (up to 48 devices)
  • Word Clock: BNC input/output for synchronization
  • USB: Type A for firmware updates and show file backup

Effects & Processing

  • Onboard FX: 12 RackExtra FX slots with dedicated stereo returns
  • FX Types: Reverbs (hall, plate, room, spring), delays, chorus, flanger, phaser, pitch effects
  • FX Models: Based on legendary hardware including Roland RE201 Space Echo, Dimension D, AMS RMS16, Electro-Harmonix Electric Mistress
  • AMM: Automatic Mic Mixer for up to 64 channels across up to 4 zones
  • Optional dPack: 16 Dyn8 multiband dynamics engines, DEEP compressors/expanders, Dual-Stage Valve preamp with multiple distortion modes

Remote Control & Software

  • Offline Editor: Avantis Director (Windows/Mac) for show file editing and online control
  • Mixing Apps: MixPad (full engineer control), OneMix (single aux control), 4You (personal mixing app)
  • IP Controllers: Support for IP1, IP6, IP8 wired controllers and GPIO interface
  • Custom Control: Customizable control app for creating bespoke user interfaces
  • MIDI: MIDI over TCP/IP for DAW control and external device integration
  • Recording: Compatible with Harrison LiveTrax multitrack recording software

Scene & Show Management

  • Scene Storage: Comprehensive scene library with instant recall
  • Auto Tracking: Update parameters across multiple scenes simultaneously
  • Cue Lists: Reorderable cue lists with multiple versions for different shows
  • Ganging: 16 gangs with options for trim, filter, gate, compressor, delay, fader, mute, pan, routing
  • Safes: Channel and parameter safes for scene recall protection

Physical Specifications

  • Construction: Lightweight alloy shell with tubular frame
  • Dimensions: Approximately 50% smaller footprint than dual-screen Avantis
  • Weight: Significantly lighter than dual-screen model for portable applications
  • Power: 100-240V AC, 50-60Hz universal auto-switching power supply
  • Thermal Management: Quiet fan operation suitable for broadcast and recording environments

Integration & Compatibility

  • Show File Compatibility: Fully compatible with dual-screen Avantis – files transfer seamlessly between models
  • Stage Box Compatibility: GX4816, DX32, DX168, DX164-W, DT168, DT164-W, AB168 (96kHz stage boxes)
  • Network Protocols: Dante (with optional card), Waves SoundGrid V3 (with optional card), AES50 via SLink
  • RF Integration: Direct control of Shure QLXD and Sennheiser wireless microphone systems
  • Personal Monitoring: Compatible with Allen & Heath ME personal monitoring system via SLink or DX connection

Additional Features

  • Boot Time: Approximately 40 seconds to full operation
  • Preamp Library: DEEP preamp modeling including Tube Stage for valve circuit characteristics
  • Output Processing: PEQ, 28-band graphic EQ, compression, delay on all mix buses
  • Matrix Mixes: Flexible matrix configuration for zone mixing and distributed audio
  • User Profiles: Multiple user accounts with customizable permissions and layouts

Q&A

FREQUENT Q&A

Q: Is the Solo as powerful as the full-size Avantis? A: Absolutely! The Solo features the identical 64-channel/42-bus 96kHz XCVI FPGA mixing engine as the dual-screen Avantis. Same processing power, same 0.7ms latency, same dLive preamps, same audio quality. The only differences are physical: 12 faders vs. 24, single touchscreen vs. dual, and 6 local XLR I/O vs. 12. Show files transfer seamlessly between models.

Q: How portable is the Avantis Solo really? A: Extremely. At approximately 50% smaller and lighter than the dual-screen model, it fits easily in a small car boot. One engineer can carry it from the car in a single trip. The rugged alloy chassis handles touring abuse while the compact footprint makes it perfect for fly dates, corporate gigs, and venues with limited mix position space.

Q: Can I expand the I/O from just 6 inputs? A: Yes, extensively! The SLink port connects to the complete Allen & Heath stage box ecosystem (GX4816 for 48 more inputs, DX168, DT168, etc.). Two I/O card slots support Dante 128×128, Waves SoundGrid, MADI, gigaACE – giving you access to hundreds of networked I/O points. Start small, scale infinitely.

Q: Does the single touchscreen limit workflow? A: Not significantly. The massive 15.6″ HD touchscreen (larger than many laptops) provides exceptional visibility and control. The Fast Grab Tab with three dedicated rotaries gives instant parameter access. Most engineers report the workflow is intuitive and efficient, with the iPad MixPad app available for additional simultaneous control if needed.

Q: Are show files compatible with regular Avantis? A: Yes, 100% compatible. Files created on Solo load directly onto dual-screen Avantis and vice versa. This makes Solo perfect for rental companies with mixed inventory, organizations operating multiple venues, or engineers who need different form factors for different applications while maintaining consistent workflow.

Q: What’s Auto Tracking and why does it matter? A: Auto Tracking is a game-changing feature for theater and multi-scene productions. Select multiple scenes, enable Auto Tracking, then any parameter changes automatically update across all selected scenes simultaneously. No more tedious scene-by-scene updates when you need to adjust reverb time or EQ across an entire show.

Q: Can Solo handle large productions? A: Absolutely. With 64 input channels, 42 buses, and extensive expansion options, Solo handles surprisingly large productions. Add a GX4816 stage box and you’ve got 48 stage inputs plus full processing. The 16 DCAs and flexible layer customization make managing complex mixes straightforward despite the compact control surface.

Q: Is the dPack upgrade worth it? A: For many users, yes. The dPack adds 16 Dyn8 multiband dynamics processors (4-band dynamic EQ + 4-band multiband compression), zero-latency DEEP compressor/expander emulations (1176, SSL, dbx 160, Valley People, LA-2A, Fairchild), and Dual-Stage Valve preamp modeling. This processing has been trusted on platinum-selling tours and transforms the console’s sonic capabilities.

Q: How does Solo compare to rackmount alternatives? A: Solo provides complete physical control with 12 motorized faders, 18 SoftKeys, dedicated rotaries, and a massive touchscreen – all integrated in one portable package. Rackmount solutions typically require computer/tablet control and lack the tactile immediacy of physical faders. Solo balances portability with hands-on control.

Q: What’s the learning curve coming from other consoles? A: Engineers report the learning curve is gentle. The Continuity UI is intuitive, with common functions immediately accessible. The touchscreen feels like using a smartphone. Offline editing with Avantis Director lets you explore the console before your first show. Most engineers feel comfortable mixing within a few hours of hands-on time.