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Allen & Heath SQ-5 Digital Mixing Console

Original price was: $4,999.00.Current price is: $3,999.00.

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Experience professional 96kHz mixing in a compact, rack-mountable format with the Allen & Heath SQ-5 — featuring 48-channel processing, 17 motorized faders, and ultra-low latency perfect for live sound, worship, and touring applications.

Save! on our open box model available, $3599.00
Allen & Heath SQ-5 digital mixing console-
Allen & Heath SQ-5 Digital Mixing Console
$4,999.00 Original price was: $4,999.00.$3,999.00Current price is: $3,999.00.

Professional Power in a Portable Package

If you’ve been held back by budget digital mixers that compromise on sound quality, build integrity, or workflow efficiency, the Allen & Heath SQ-5 Digital Mixing Console is the solution you’ve been searching for. This compact powerhouse delivers the same acclaimed 96kHz XCVI FPGA processing found in Allen & Heath’s flagship dLive series, bringing professional-grade audio performance to venues, studios, and touring applications where space and reliability are equally critical.

The SQ-5 puts 48 input channels of pristine processing at your command through an intuitive control surface centered around a vibrant 7-inch capacitive touchscreen. With 17 motorized faders across six customizable layers, you get comprehensive hands-on control in a 19-inch rack-mountable chassis that’s perfect for portable production racks, small control rooms, or venues where space is at a premium. Engineers consistently praise the SQ-5’s remarkably clean preamps and outstanding sonic character — a noticeable upgrade from similarly priced competitors.

Workflow That Works for You

What truly sets the SQ-5 apart is its flexible, drag-and-drop workflow. Assign any channel to any fader, create custom color coding across channel strips, and build a mixing environment that mirrors exactly how you work. The patented Chromatic Channel Metering system gives you at-a-glance level indication with variable brightness and color, making it easy to spot issues across your entire mix instantly. Eight assignable SoftKeys let you map frequently-used functions to dedicated buttons, streamlining your workflow during high-pressure live situations.

Navigation is remarkably intuitive compared to other digital consoles in this class. Everything feels logical and within reach — from channel processing to effects routing. The learning curve is gentle enough for engineers transitioning from analog, yet the depth is there for seasoned digital mixing veterans who need advanced routing and processing options.

Recording and Playback Built Right In

The integrated recording capabilities make the SQ-5 incredibly versatile. The built-in SQ-Drive lets you capture up to 16 channels at 96kHz or 32 channels at 48kHz directly to a USB flash drive or hard drive — no computer, no software setup, no driver headaches. Just plug in your USB storage and hit record. For DAW integration, the 32×32 USB audio interface operates at full 96kHz resolution, functioning as a plug-and-play Core Audio or ASIO compliant interface for multitrack recording, virtual soundchecks, and backing track playback.

Monitor Mixing Excellence

For in-ear monitoring applications, the SQ-5 is hard to beat. Twelve stereo mixes give you extensive flexibility for complex monitor setups, and each mix features both parametric and 28-band graphic EQ along with compression. With system latency under 0.7ms — regardless of how much processing you engage — the SQ-5 is ideal for touring musicians and monitor engineers who need precise, zero-delay audio. The mixer is fully compatible with Allen & Heath’s ME Personal Mixing System, letting performers take control of their own monitor mixes via ME-1 or ME-500 personal mixers daisy-chained from the SLink port.

Pro-Level Processing and Effects

Every input channel comes equipped with comprehensive processing: high-pass filter, lightning-fast gate with sidechain filter, musical 4-band parametric EQ with real-time analyzer, and Peak/RMS compressor. Eight stereo FX engines provide access to the acclaimed RackExtra library, featuring emulations of legendary reverbs, delays, modulators, and more — each with its own dedicated stereo return so you don’t consume valuable input channels.

The SQ-5 is also DEEP-ready, meaning you can add optional boutique preamp and compressor emulations that embed directly into channels with zero added latency. This opens up a world of vintage tonal possibilities without the expense or fragility of maintaining actual vintage hardware.

Expand as You Grow

Thanks to the intelligent SLink port, you can scale the SQ-5 up to 48 mic inputs using Allen & Heath’s dSnake stage boxes and expanders from the AB168, DX168, GX4816, AR2412, or AR84 families. The system handles all sample rate conversion automatically, so you can integrate 48kHz hardware seamlessly with the SQ-5’s 96kHz core — perfect for upgrading existing systems piece by piece without replacing everything at once.

Install an optional Dante or Waves networking card in the I/O port, and you open up 64×64 channels of digital connectivity for complex installed systems, FOH/monitor splits, or integration with broadcast and recording infrastructures. Two fully independent 24-channel automatic mic mixers make the SQ-5 particularly valuable for conferences, panel discussions, and multi-microphone broadcast applications, intelligently managing levels with no added latency.

Built to Last

The SQ-5 features Allen & Heath’s robust three-tier all-metal chassis construction with an extruded aluminum light bar, delivering tremendous strength and rigidity while maintaining portability. This is a mixer built to handle the rigors of touring and repeated load-ins, not a fragile piece of studio gear that needs babying. Optional rack ears (sold separately) make integration into production racks straightforward, occupying 12U of rack space.

With free remote control via the SQ MixPad app for iPad, Android, Mac, or PC, plus SQ4You for performer-controlled monitor mixing, the Allen & Heath SQ-5 delivers professional mixing capability, stunning audio quality, and remarkable flexibility in a compact, tour-ready package that fits where larger consoles simply can’t go.

Key Features

  • 96kHz XCVI FPGA Core Processing — Industry-leading high-resolution audio with ultra-low latency under 0.7ms delivers pristine sound quality and perfect timing for live performances and in-ear monitoring applications
  • 48 Input Channels in Compact Form — Professional mixing power with 17 motorized faders across six layers, all in a space-saving 19-inch rack-mountable chassis perfect for portable racks and small venues
  • 16 Premium Onboard Preamps — Clean, sweet-sounding mic preamps that rival much more expensive consoles, providing outstanding sonic character right out of the box
  • 12 Stereo Mixes for Flexible Monitoring — Configurable as groups or auxiliaries with both parametric and graphic EQ on every mix, making this ideal for complex in-ear monitoring and multi-mix applications
  • Dual Recording Options — 32×32 USB audio interface at 96kHz plus SQ-Drive for capturing 16 channels at 96kHz or 32 channels at 48kHz directly to USB storage without a computer
  • Intuitive 7-Inch Touchscreen Workflow — High-resolution capacitive touchscreen with drag-and-drop channel assignment, custom color coding, and illuminated encoders for fast, hands-on control
  • Professional Channel Processing — Every input features high-pass filter, sidechain gate, 4-band parametric EQ with RTA, and Peak/RMS compressor, plus eight stereo FX engines with RackExtra library
  • Expandable I/O Architecture — Scale to 48 mic inputs via SLink port with Allen & Heath stage boxes, or add optional Dante/Waves cards for 64×64 channel networking capabilities
  • Automatic Mic Mixing — Two fully integrated 24-channel automatic mixers handle conferences and panel discussions with zero added latency
  • Wireless Control Apps Included — Free SQ MixPad app for full remote mixing from iPad, Android, Mac, or PC, plus SQ4You for performer-controlled personal monitor mixes

Tech Specs

Channels & Processing

  • 48 Input Channels with full processing
  • 36 Total Busses (12 Stereo Mix + Main LR + 3 Stereo Matrices)
  • 8 Stereo FX Engines with dedicated returns
  • 8 DCA Groups and 8 Mute Groups
  • 96kHz XCVI FPGA Core Processing
  • System Latency: Less than 0.7ms (all processing enabled)
  • 24-bit converters with variable bit depth

Physical Inputs & Outputs

  • 16 Local Mic/Line Inputs (XLR)
  • 2 Stereo Line Inputs (1/4″ TRS)
  • 1 Stereo Input (3.5mm)
  • 1 Talkback Mic Input (XLR)
  • 12 Assignable Local Outputs (10 XLR + 2 x 1/4″ TRS)
  • 1 Headphone Output (1/4″ TRS) with dedicated control
  • AES Digital Output (XLR) – 2 channel, 96kHz

Control Surface

  • 17 Motorized Faders (16 channel + 1 master)
  • 6 Fader Layers (96 assignable channel strips total)
  • 7-inch Capacitive Color Touchscreen (high-resolution)
  • 8 Assignable SoftKeys for custom control
  • 4 Soft Rotary Encoders
  • Chromatic Channel Metering with variable brightness and color LEDs
  • Dedicated physical controls for Gain, HPF, Gate, Compressor, EQ

Digital Audio & Networking

  • 32×32 USB Audio Interface (96kHz via USB-B)
  • SQ-Drive: 16-channel 96kHz or 32-channel 48kHz recording to USB drive
  • SLink Port (EtherCON) for dSnake, ME, DX, or GigaACE expansion
  • I/O Port for optional Dante or Waves networking cards (64×64 channels)
  • MIDI In/Out (5-pin DIN)
  • Network Port (RJ45) for app control and TCP/IP

Channel Processing (per Input Channel)

  • Preamp: Gain, Pad, 48V Phantom Power, Polarity
  • High Pass Filter (20Hz-2kHz, 12/24dB per octave)
  • Gate: Threshold, Depth, Attack, Hold, Release with Sidechain Filter
  • 4-Band Parametric EQ (sweepable frequency and Q) with Real-Time Analyzer
  • Peak/RMS Compressor with parallel compression path
  • Channel Delay (up to 85ms)
  • Insert Point (selectable pre/post processing)

Mix Channel Processing

  • 4-Band Parametric EQ
  • 28-Band Graphic EQ (1/3 octave)
  • Peak/RMS Compressor
  • Mix Delay (up to 500ms)

Effects & Processing

  • 8 Stereo FX Engines with dedicated returns
  • RackExtra FX Library: Reverbs, Delays, Modulators, Dynamics
  • DEEP Processing: Optional boutique preamp and compressor emulations
  • Automatic Mic Mixing: Two independent 24-channel AMMs

Physical Specifications

  • Dimensions (W × D × H): 19″ × 21.3″ × 7.5″ (482 × 540 × 190mm)
  • Weight: 28.7 lbs (13 kg)
  • Rack Mountable: 19-inch (requires optional SQ-5-RK19 rack kit, occupies 12U)
  • Power Consumption: 60W maximum
  • Power Input: 100-240V AC, 50-60Hz (auto-switching)
  • Operating Temperature: 32°F to 104°F (0°C to 40°C)

Software & Apps

  • SQ MixPad (iOS/Android/macOS/Windows) – Full remote mixing control
  • SQ4You Personal Mixing App (iOS/Android) – Individual monitor control for performers
  • SQ Director – Offline editor for show preparation
  • DAW Control via MIDI/USB
  • Core Audio compliant (macOS) / ASIO drivers (Windows)

Compatibility & Expansion

  • ME Personal Mixing System (ME-1, ME-500)
  • Allen & Heath Stage Boxes: AB168, DX168, GX4816, AR2412, AR84
  • Optional Cards: M-Dante-SQ, M-Waves-SQ
  • Compatible with Allen & Heath GLD, Qu, and dLive ecosystem
  • Automatic 48kHz/96kHz sample rate conversion on SLink port

What’s Included

  • Allen & Heath SQ-5 Digital Mixer
  • Power Cord
  • Note: Rack mount kit (SQ-5-RK19) sold separately

Compatible Stage Boxes

Allen & Heath — SQ Compatible Stageboxes & Expanders

Stageboxes / Expanders compatible with Allen & Heath SQ series
Model Protocol / Connect Inputs Outputs Max units (per port / system) Notes
DX168 DX (SLink 96 kHz) 16 mic/line (XLR) 8 XLR Up to 2 direct on a single built-in SLink port; more via DX Hub / extra SLink port 96 kHz expander — listed compatible with SQ. Cascade / DX Hub expands system capacity.
DX164-W DX (SLink 96 kHz) 16 mic/line 4 XLR Up to 2 per SLink port (cascade) / more via DX Hub Wall/fixed install DX expander — compatible with SQ.
DX32 DX (modular 96 kHz) Modular (up to 32 channels in module slots) Up to 32 1 per SLink port (or per SLink card) — exact config depends on slot modules Modular 4×8 slot expander for various I/O cards.
GX4816 gigaACE/GX (96 kHz) 48 inputs 16 outputs 1 per SLink port (or via SLink card) High input-count expander compatible with SQ (96 kHz).
AB168 dSnake / AudioRack (48 kHz dSnake compatibility) 16 inputs 8 outputs Up to two devices in certain dSnake chains (observe max dSnake inputs limit) Designed for Qu/Avantis/SQ systems (48 kHz dSnake).
AR2412 dSnake / AudioRack (48 kHz) 24 inputs 12 outputs Can be used as main AudioRack; one expander allowed on its expander port (AR84 or AB168) dSNAKE audio rack — compatible with SQ; expansion rules apply.
AR84 dSnake AudioRack expander (48 kHz) 8 inputs 4 outputs Typically chained as an expander to AR2412 (single chain allowed) Small AR expander that chains from AR2412/AB168 expander port.
DX012 DX output expander (96 kHz) 0 inputs 12 outputs (configurable analog/AES) Can be cascaded with other DX units (cascade/redundant modes) Output expander for IEM / amp feeds; compatible with SQ.
DT168 (Dante) Dante (AES67) — DT / Dante expander 16 inputs (mic preamps) 8 outputs Up to 16 units with an SQ Dante card (system limit noted by A&H) Dante I/O expander — when using an SQ 96 kHz Dante option card. For large Dante networks this is flexible; check Dante channel licensing.
Other A&H DX / DT variants DX / DT family Various (8/12/16/24/48 inputs depending on model) Various Varies by model and whether SLink, DX Hub or Dante is used Allen & Heath Everything I/O lists the full family (use product pages for exact counts).

Notes: counts above are physical XLR I/O counts on the stageboxes. Real system totals depend on which protocol/port you use (SLink built-in port vs additional SLink card vs Dante card), DX Hub usage, and firmware. See combination table below for common scenarios.

Common connection scenarios — maximum remote I/O (raw)

Example connection combos and their maximum remote I/O
Scenario Connected devices (example) Total remote Inputs (sum) Total remote Outputs (sum) Practical note
Built-in SLink port — DX family (96 kHz) 2 × DX168 (daisy/cascade) 16 + 16 = 32 inputs 8 + 8 = 16 outputs SQ built-in SLink supports up to 2 DX168 directly. Use DX Hub to scale further.
Built-in SLink — GX (gigaACE) option 1 × GX4816 48 inputs 16 outputs Single GX gives 48 inputs on one port (96 kHz). Good for high input count.
Built-in SLink — dSnake (48 kHz) AR2412 + AB168 chained (dSnake) 24 + 16 = 40 inputs (dSnake max) 12 + 8 = 20 outputs dSnake chain limit is typically 40 ins / 20 outs at 48 kHz per port; this is a common AR2412+AB168 combination.
SLink built-in + SLink option card (two SLink ports) e.g., 1 × GX4816 on port A + 2 × DX168 on port B 48 + 32 = 80 inputs (raw) 16 + 16 = 32 outputs Using a second SLink port (SLink card) multiplies the kinds of combinations you can use. Device/firmware constraints still apply.
DX Hub expansion DX Hub + up to 8 × DX168 8 × 16 = 128 inputs (if DX Hub supports 8 DX168 in your setup) 8 × 8 = 64 outputs DX Hub lets you create a larger distributed DX system. Patch/firmware limits and processing channels still apply. :contentReference
Dante card (SQ Dante option) — DT168 units Up to 16 × DT168 (Dante) 16 × 16 = 256 inputs (raw Dante channel sources) 16 × 8 = 128 outputs Allen & Heath documents DT168 support up

Q&A

FREQUENTLY ASKED Q&A

Q: What’s the difference between the SQ-5, SQ-6, and SQ-7? A: All three models share identical 48-channel processing, audio quality, and internal hardware. The differences are in physical size and local I/O: the SQ-5 has 16 preamps with 17 faders, the SQ-6 has 24 preamps with 25 faders, and the SQ-7 has 32 preamps with 33 faders. The SQ-5 is also 19-inch rack-mountable, making it ideal for portable production racks and space-constrained installations.

Q: Can the SQ-5 be rack mounted? A: Yes! The SQ-5 is designed to be 19-inch rack-mountable using the optional SQ-5-RK19 rack mount kit (sold separately). When mounted, it occupies 12U of rack space. This makes it perfect for portable production racks, fly racks, or fixed installations where a rack-mounted mixer is preferred.

Q: Can I record multitrack audio without a computer? A: Absolutely. The SQ-5 features SQ-Drive, which allows you to record 16 channels at 96kHz or 32 channels at 48kHz directly to a USB flash drive or hard drive without needing a computer. Simply plug in your USB storage device and hit record. You can also use the 32×32 USB interface to record to a DAW at full 96kHz resolution.

Q: How many monitor mixes can I create? A: The SQ-5 provides 12 stereo mixes that can be configured as either aux sends or groups. Each mix has both parametric and graphic EQ plus compression, making it excellent for in-ear monitoring setups. You can also integrate the ME Personal Mixing System for performer-controlled monitor mixes.

Q: Is the SQ-5 compatible with Dante? A: Yes, with the optional M-Dante-SQ expansion card (sold separately). This provides 64×64 channels of Dante connectivity at 96kHz, allowing you to integrate with Dante-enabled systems, create digital splits between FOH and monitor positions, or expand your I/O extensively.

Q: Can I control the mixer wirelessly? A: Yes. Allen & Heath provides two free apps: SQ MixPad for engineers (full remote control from iOS/Android/Mac/Windows devices) and SQ4You for performers (lets up to 8 musicians control their own monitor mixes from smartphones or tablets). A network router is required for wireless connectivity.

Q: How does the SQ-5 compare to the Behringer X32? A: The SQ-5 offers superior 96kHz processing versus the X32’s 48kHz, significantly better build quality, cleaner preamps, more intuitive navigation, and greater expandability. Many engineers report the SQ-5 sounds noticeably cleaner and more detailed than the X32. The X32 has more physical controls and is less expensive, but the SQ-5 provides professional-grade audio quality and reliability.

Q: Can I expand beyond the 16 onboard preamps? A: Yes. The SLink port allows you to connect Allen & Heath stage boxes (AB168, DX168, GX4816, AR2412, or AR84) to expand up to 48 total mic inputs. The SQ-5 handles all sample rate conversion automatically, so you can even use 48kHz hardware with the 96kHz core without any issues.

Q: Is automatic mic mixing included? A: Yes, automatic mic mixing is fully integrated into the SQ-5 with no additional purchase required. You get two independent 24-channel automatic mic mixers with zero added latency, making it perfect for conferences, panel discussions, and multi-microphone broadcast applications.

Q: Does the SQ-5 work well for both live sound and recording? A: Yes, though it’s primarily designed for live applications. The 32×32 USB interface at 96kHz makes it excellent for studio recording, and many users report great results for hybrid live/recording setups. The SQ-Drive multitrack recording feature is also incredibly useful for virtual soundchecks and capturing live performances.

Q: What is DEEP processing? A: DEEP processing is Allen & Heath’s architecture for adding boutique preamp and compressor emulations to channels without adding latency. The SQ-5 is DEEP-ready, and includes one free DEEP Tube Stage Preamp plugin. Additional DEEP plugins (compressor packs, preamp packs) are available for purchase from Allen & Heath.

Q: Can I use this for streaming and virtual events? A: Absolutely. The 32×32 USB interface makes it simple to send audio directly to streaming software like OBS, vMix, or similar platforms. Many churches and venues use the SQ-5 for both live mixing and streaming simultaneously. You can also create dedicated streaming mixes using the matrix outputs.

Q: Will my old Allen & Heath stage boxes work with the SQ-5? A: Yes! The SLink port is compatible with Allen & Heath’s entire dSnake family, including older GLD-era AR/AB units and newer DX boxes. The SQ-5 automatically handles sample rate conversion, so 48kHz stage boxes work seamlessly with the 96kHz core.

Q: How portable is the SQ-5 compared to larger consoles? A: The SQ-5 is very portable, weighing just 28.7 lbs (13 kg) and fitting in a standard 19-inch width. It’s significantly lighter and more compact than full-size digital consoles while delivering comparable processing power. Many touring engineers appreciate its airline-friendly size and the ability to rack mount it for easy transport.