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Drum Microphone Kit – Audix DP8 8-Piece Pro Drumset Pack

Original price was: $1,979.00.Current price is: $1,649.00.

-17%

Your drumset needs the DP8 drumset mic kit. In live and in studio. This drum microphone kit features eight specialized microphones and VLM capsule technology. This percussion microphone system includes dynamic mics for kick, snare, and toms, plus ultra-compact condensers for overheads and hi-hat. Additionally, the complete drum mic set includes an aluminum road case, rim mounts, and cables. Order now.

Audix DP8 Drumset Microphone Kit
Drum Microphone Kit – Audix DP8 8-Piece Pro Drumset Pack
$1,979.00 Original price was: $1,979.00.$1,649.00Current price is: $1,649.00.

Professional Drum Microphone Kit for Studio and Stage Applications

This drum microphone kit delivers exceptional accuracy and fine control for your entire five-piece drumset. Moreover, the Audix DP8 package features VLM capsule technology for natural sound reproduction in high SPL environments. Additionally, drummers appreciate how this complete solution captures each drum independently with precision. Consequently, you’ll achieve professional results from kick drum to cymbals without compromising sonic integrity.

Complete Drumset Miking Solution with Premium Components

Each microphone in this drum mic set serves a specific purpose with surgical precision. Furthermore, the D6 kick drum mic provides earthshaking lows and powerful attack. Therefore, your foundation grooves cut through any mix with clarity and impact. Meanwhile, customers report that this system solved their drum recording frustrations immediately. Subsequently, they experience studio-quality sound without extensive EQ manipulation or processing.

What’s Included in the Box?

  • D6 dynamic cardioid microphone for kick drum applications
  • i5 dynamic cardioid microphone for snare drum
  • Two D2 dynamic hypercardioid microphones for rack toms
  • D4 dynamic hypercardioid microphone for floor tom
  • M1280BHC ultra-compact condenser microphone for hi-hat
  • Two M1280B cardioid condenser microphones for overhead cymbals
  • Aluminum road case with protective custom foam inserts
  • Four DVICE rim mounts eliminating bulky mic stands
  • Four DCLIP mic clips for secure mounting
  • One MC1 mic clip for versatile positioning
  • Three SMTMICRO mic clips for condensers
  • Three CBLM25 microphone cables included
  • Three WS1218 foam windscreens for outdoor protection

Close Miking Excellence for Critical Drum Elements

The D6 and i5 combination ensures your groove foundation remains solid. In addition, these industry-standard microphones guarantee kick and snare presence in every mix. Similarly, users mention how close miking eliminates their previous drum clarity issues. As a result, they achieve superior isolation and control over individual drum sounds. Indeed, positioning mics close to the source captures authentic attack and percussion character.

Advanced Overhead and Hi-Hat Microphone Technology

The M1280B condensers provide nearly invisible overhead coverage for video and IMAG applications. Furthermore, their ultra-compact 12mm diameter and 67mm length design disappears from camera shots. Likewise, the M1280BHC hi-hat mic features exceptional off-axis rejection for clean isolation. Thus, you capture complex timbres and wide dynamic ranges without cymbal wash. Ultimately, these condensers reproduce transients and overtones with remarkable accuracy and detail.

Perfect Blend of Close and Overhead Miking Techniques

This percussion microphone system creates the ideal balance between precision and ambience. Additionally, the dynamic mics handle extreme SPL while condensers capture spatial characteristics. Therefore, you achieve both punch and depth in your drum sound simultaneously. Meanwhile, this drumset microphone bundle adapts perfectly to contemporary music production demands. Consequently, your drums maintain critical presence regardless of room size or PA configuration.

Industry-Standard Performance with VLM Capsule Technology

Professional engineers trust Audix VLM technology for accurate sound reproduction under demanding conditions. Furthermore, the D2 and D4 tom mics capture attack and decay naturally. Similarly, all components work in tandem to replicate each drum independently. Thus, you enjoy faster setup and more consistent results across different venues. Indeed, this drum mic collection delivers the reliability touring professionals require nightly.

Investment-Grade Construction and Complete Accessory Package

The included aluminum road case protects your investment during transport and storage. Additionally, DVICE rim mounts streamline your stage setup by eliminating mic stands. Therefore, you save valuable time during soundcheck while maintaining professional appearance. Meanwhile, the complete cable and clip package means you’re ready immediately. Ultimately, this drum microphone kit provides everything needed for professional drum capture.

Key Features

  • Eight-piece drum microphone kit designed specifically for five-piece drumset applications
  • VLM capsule technology delivers natural and precise sound reproduction in high SPL environments
  • D6 kick drum microphone provides powerful low-frequency response with 144dB maximum SPL
  • i5 snare microphone captures crisp attack with exceptional off-axis rejection exceeding 23dB
  • D2 hypercardioid tom microphones feature 144dB max SPL and 68Hz-18kHz frequency response
  • D4 floor tom microphone handles 144dB SPL with 40Hz-18kHz extended frequency range
  • M1280BHC hi-hat condenser features ultra-compact 12mm diameter for invisible video appearance
  • M1280B overhead condensers capture complex cymbal timbres with 40Hz-20kHz frequency response
  • Four DVICE rim mounts eliminate bulky mic stands for streamlined stage setup
  • Aluminum road case with custom foam inserts protects microphones during transport
  • Complete accessory package includes mic clips, cables, and foam windscreens
  • Industry-standard components trusted by professional drummers and engineers worldwide

Tech Specs

  • D6 Kick Drum Mic: Dynamic VLM Type E, cardioid pattern, 30Hz-15kHz frequency response, 144dB max SPL, 280 ohms impedance, 0.8mV/Pa sensitivity @ 80Hz, no phantom power required, 254g weight, 117mm length
  • i5 Snare Mic: Dynamic VLM Type B, cardioid pattern, 50Hz-16kHz frequency response, 140dB max SPL, 280 ohms impedance, 1.6mV/Pa sensitivity @ 1kHz, 23dB off-axis rejection, 248g weight, 141mm length
  • D2 Rack Tom Mics (2): Dynamic VLM Type B, hypercardioid pattern, 68Hz-18kHz frequency response, 144dB max SPL, 280 ohms impedance, 1.2mV/Pa sensitivity @ 1kHz, 30dB off-axis rejection, 128g weight, 100mm length
  • D4 Floor Tom Mic: Dynamic VLM Type D, hypercardioid pattern, 40Hz-18kHz frequency response, 144dB max SPL, 280 ohms impedance, 1.4mV/Pa sensitivity @ 1kHz, 20dB off-axis rejection, 128g weight, 100mm length
  • M1280BHC Hi-Hat Mic: Condenser, cardioid/hypercardioid switchable pattern, 40Hz-20kHz frequency response, 147dB max SPL, 150 ohms impedance, 10mV/Pa sensitivity @ 1kHz, requires 18-52V phantom power, 28g weight, 67mm length
  • M1280B Overhead Mics (2): Condenser, cardioid/hypercardioid switchable pattern, 40Hz-20kHz frequency response, 147dB max SPL, 150 ohms impedance, 10mV/Pa sensitivity @ 1kHz, requires 18-52V phantom power, 28g weight, 67mm length, 12mm diameter
  • Materials: Zinc alloy (i5), black hard coat (D2, D4), machined aluminum (D6), machined brass (M1280 series)
  • Included Accessories: 4x DVICE rim mounts, 4x DCLIP mic clips, 1x MC1 mic clip, 3x SMTMICRO mic clips, 3x CBLM25 cables, 3x WS1218 foam windscreens
  • Case: Aluminum road case with custom protective foam inserts
  • Warranty: Limited warranty from Audix Corporation
  • Made In: USA (designed and manufactured by Audix Corporation)

FAQ

  • Do I need phantom power for this drum microphone kit? Only the three condenser microphones (M1280BHC and two M1280B) require 18-52V phantom power. The five dynamic microphones (D6, i5, D2, and D4) operate without phantom power.
  • What makes the DP8 different from the PD8 package? The DP8 is the professional package with advanced features including the M1280BHC hi-hat mic, M1280B overhead condensers, DVICE rim mounts, and three included XLR cables. This provides a more comprehensive solution than entry-level packages.
  • How do I position the D6 kick drum microphone correctly? Start with the D6 positioned a few inches inside the front head port, pointing off-center away from the beater. Move closer to the beater for more attack, or pull away for deeper bass response. The optional STANDKD adjustable stand helps achieve precise positioning.
  • Can I use the DVICE rim mounts on all drum types? The DVICE rim mounts work with standard drum rims and eliminate bulky mic stands. For hand percussion or non-conventional rims, consider the optional DCLAMP tension rod clamp or DFLEX all-purpose percussion clamp sold separately.
  • What’s the best way to set up the M1280B overhead microphones? Position both overhead mics equal distance from the snare drum as your focal point, starting at approximately 4 feet. Keep mics vertical to capture the entire kit, not just cymbals. Experiment with positioning since the M1280B microphones are extremely sensitive.
  • How does VLM capsule technology improve drum sound? VLM (Very Low Mass) capsule technology provides natural and precise sound reproduction even at extreme sound pressure levels. This ensures accurate capture of transients, attack, and decay without distortion or coloration.
  • Will this drumset microphone bundle work for live sound reinforcement? Absolutely. The DP8 excels in both studio recording and live performance applications. The hypercardioid patterns, high SPL handling, and excellent off-axis rejection make these microphones perfect for stage use with minimal feedback issues.
  • What optional accessories should I consider with the DP8? Popular additions include the STANDKD adjustable kick drum stand, CBL20 or CBLDR25 additional XLR cables, DFLEX percussion clamps for expanded setups, and DCLAMP tension rod mounts for alternative positioning options.
  • How do I prevent wind noise when using the M1280BHC hi-hat mic? Position the M1280BHC up and away from where the hi-hat cymbals open and close. This prevents wind noise and harsh sound while maintaining isolation from the rest of the kit for easier mixing control.
  • Can I purchase individual replacement microphones if needed? Yes, all Audix microphones are available individually. The D6, i5, D2, D4, and M1280 series can be purchased separately to replace damaged units or expand your microphone collection for larger drumsets.